Inside, the narrative shifts. The home's split-level layout lends itself to moments of discovery, while the unexpected revelation of the original concrete ceilings during demolition prompted a complete rethink of the interior palette. What had once leaned towards a rustic farmhouse aesthetic evolved into a more refined and contemporary composition, where raw concrete, richly grained timber and sculptural furnishings establish a new architectural language.

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A DIALOGUE OF TEXTURE AND COLOUR 

 

The journey begins at the entrance, where an orange chair by Teun Zwets, a work by Zhuang Hong Yi, and a butter-yellow basin by Glass Italia establish a confident yet playful palette. Throughout the house, colour never dominates; instead, it punctuates an otherwise composed material language.

 

Rosewood panelling wraps the living and dining spaces, introducing warmth against the exposed concrete overhead. Marble, chrome, lacquer and brushed brass are layered with quiet precision, while contemporary pieces from Cassina, Baxter, Minotti and Tim Teven create moments of sculptural presence without overwhelming the architecture. Each object feels considered, contributing to an interior where atmosphere emerges through balance rather than excess.

 

Upstairs, softness becomes the defining material. Carpet continues uninterrupted from the staircase into the dressing room, where upholstered cabinetry reinforces the sense of continuity. The primary bathroom, conceived as an extension of the suite rather than a separate room, pairs Noir Perlé marble with brushed brass and mosaic surfaces, creating a space that feels both restrained and quietly luxurious.