December 11, 2025 | Art & Culture TR BELOW NEW VOICES, EMERGING NARRATIVES words YUZU Editorial photos Fatih Yılmaz Spaces sometimes register a city’s pulse in their quietest moments. In Karakoy, the gallery of Saint Benoît High School does exactly that, hosting the 2024–2025 exhibition of SaDe — the Artist Support Fund by IKSV and Mercedes-Benz Turk. The space gathers new works by young artists, each balancing fragility and resilience. SaDe offers both financial and mentorship support to emerging practitioners. This year, the programme takes on added weight by focusing on artists affected by the Kahramanmaras earthquakes, expanding its purpose with a sense of urgency. The six participating artists — Rozelin Akgün, Cemil Çalkıcı, Aylin Çankaya, Gökçe Çetin, Nesime Karateke and Macide Yalçınkaya — present work shaped by recent months: pieces marked by geography, memory and the freedoms of contemporary expression. In some, material speaks loudly; in others, silence does the work. Together, they carve out subtle spaces that gesture toward art’s capacity to steady and to heal. At the opening, IKSV General Director Görgün Taner emphasised SaDe’s role as a broader ecosystem that connects young artists with networks and visibility. Mercedes-Benz Turk Executive Board President Süer Sülün highlighted the programme’s significance in a post-earthquake context, where supporting artistic production becomes even more vital. Guided by mentors Serkan Taycan, Emre Hüner, Aslıhan Demirtaş, Nazlı Pektaş, Evrim Kavcar and Günseli Baki, the artists shaped ideas into works grounded in material and context. Open until 21 December, the exhibition is not only a showcase of emerging voices but a reminder of how essential it is to sustain artistic production in Turkey. YENİ SESLER, YENİ HİKÂYELER: SaDe Mekânlar bazen bir kentin ve neslin nabzını en sessiz hâliyle tutar. Karaköy, Saint Benoît Lisesi’nin galerisi bugünlerde tam da böyle bir yer: İKSV ve Mercedes-Benz Türk işbirliğiyle 2022’den beri sürdürülen SaDe – Sanatçı Destek Fonu’nun 2024–2025 dönemi sergisi sebebiyle genç sanatçıların yeni üretimleriyle dolu. Serginin programı görsel sanatlar alanında çalışan genç isimlere hem maddi hem de mentorluk desteği sunuyor. Özellikle bu yıl, Kahramanmaraş merkezli depremlerden etkilenen sanatçıları odağına alarak desteğin yönünü daha da anlamlı bir yere taşıyor. Sergide yer alan altı isim — Rozelin Akgün, Cemil Çalkıcı, Aylin Çankaya, Gökçe Çetin, Nesime Karateke ve Macide Yalçınkaya — son aylarda yürüttükleri çalışmaların taze, kimi zaman yaralı, kimi zaman umutlu katmanlarını izleyiciye açıyor. Her biri, içinde bulundukları coğrafyanın ağırlığını, bireysel hafızalarını ve güncel sanatın sunduğu ifade özgürlüğünü kendi dillerinde yeniden şekillendiriyor. İKSV Genel Müdürü Görgün Taner, açılış konuşmasında SaDe’nin sadece finansal bir destek programı olmadığını, genç sanatçıların profesyonel ağlarla temas etmelerini, deneyim paylaşımını ve üretim süreçlerinin görünürlük kazanmasını sağlayan geniş bir ekosistem olduğunu vurguladı. Mercedes-Benz Türk İcra Kurulu Başkanı Süer Sülün ise kültür-sanata uzun yıllardır süren katkılarının bu programla güncel bir boyut kazandığını, özellikle deprem sonrası dönemde sanat aracılığıyla iyileşmenin önemine dikkat çekti. Bu yılın SaDe mentorları —Serkan Taycan, Emre Hüner, Aslıhan Demirtaş, Nazlı Pektaş, Evrim Kavcar ve Günseli Baki— sanatçıların süreçlerine eşlik ederek, fikirlerin olgunlaşması, malzemenin güçlenmesi ve her üretimin kendi bağlamına yerleşmesi için kritik bir rol oynadı. 21 Aralık'a kadar ziyaret edilebilen sergi, sadece genç sanatçıların işlerini görmek için değil, Türkiye’de sanat üretimini desteklemenin ne kadar hayati olduğunu yeniden düşünmek için de bir fırsat sunuyor.

April 2023 | Community COMMUNITY DINNER Partner: Jumbo The chef of the “Spring Spirit” themed Yuzu Community Dinner was Yılmaz Öztürk. Held at Avlu Bebek with the support of Jumbo, the table setting’s elegant and eye-catching details were curated by Edizione Living and Parla Flower. “Spring Spirit” temalı Yuzu Community Dinner'ın şefi Yılmaz Öztürk’tü. Jumbo'nun katkılarıyla Avlu Bebek'te gerçekleşen yemeğin sofra düzenindeki dikkat çeken şık detaylar ise Edizione Living ve Parla Flower’a aitti.

October 9, 2025 | Product the ANACHRON TROLLEY at EDIT NAPOLI 2025 words Alp Tekin photos Sinan Çırak, Portrait Photo Yeşim Özügeldi Studio Lugo reinterprets Anatolian heritage through a modern ritual of design At EDIT Napoli 2025, Istanbul-based Studio Lugo unveils the Anachron Trolley — a sculptural, compact piece that transforms the warmth of Anatolian tradition into a contemporary gesture. Designed by Doruk Kubilay, it continues Lugo’s Anachron story, where memory and modernity coexist through texture, craft, and quiet emotion. First introduced at Alcova Milano, the Trolley embodies a simple yet universal idea: gathering. It recalls long Anatolian evenings — where sharing food, drink, and conversation is less an event, more a way of belonging. Designed for the pace of urban life, it turns small spaces into places of connection. A RITUAL OF TOGETHERNESS Circular forms, lacewood veneer, Gaziantep’s kutnu silk, and hand-brushed horsehair define its tactile language. A hand-sewn curtain, crafted with traditional folding techniques, conceals and reveals — balancing function with intimacy. Every curve and stitch carries the mark of the hand, reflecting Studio Lugo’s dedication to craftsmanship and slow design. Available in silky matte finishes and customizable tones, the Anachron Trolley adapts effortlessly — as a serving companion, a sculptural accent, or a quiet centrepiece for daily rituals. FROM ISTANBUL TO NAPLES Founded by Doruk Kubilay, Studio Lugo creates collectible objects that bridge Anatolian heritage and contemporary living. Rooted in Istanbul’s layered identity, the studio’s work celebrates tactility, emotion, and craftsmanship as timeless connectors.

June 19, 2025 | VOL 15 the REINVENTION of a FORMER NUNS’ DORMITORY words Ebru Kılıç photos Ali Bekman Izmir is a city full of surprises. At first glance, you might think you’ve grasped its essence, but the deeper you look, the more stories emerge. Architect Serhan Gürkan’s home in Göztepe, Izmir, is no exception. Nestled on a street lined with apartment buildings, this detached house carries a visible trace of old Izmir. “This is an authentic Izmir neighborhood, where real locals still live—there’s a grocer, a greengrocer, a dry cleaner, cafés, bakeries… It has a completely different spirit,” says Serhan Gürkan. He had always dreamed of designing a home for himself here, in the very streets he wandered as a child, moving between his grandmother’s and aunt’s houses. When the opportunity arose to restore one of these nostalgic homes with a contemporary design approach, he didn’t hesitate. From the outside, the house appears to be a modest, single-story structure. However, it was once a dormitory for the priests and nuns of a church that still stands just across the street. As soon as you step inside, you’re greeted by a high-ceilinged entrance hall— peaceful and quiet, yet bursting with energy, even in the intricate details of the wallpaper. “The windows and doors between the rooms and the hallway create a sense of both transparency and a labyrinthine layout. As you move through the space, you keep discovering new corners, thinking, ‘Wait, there’s more?’” Gürkan explains. One of the boldest design choices in the house is the wallpaper, created in collaboration with Designmixer. It adopts the style of classic toile de Jouy, but with an unconventional twist—its theme revolves around nudity. “We wanted to evoke the feeling of sin, something far removed from the ascetic life of nuns,” he adds. I LIKE TO CREATE DIFFERENT EMOTIONAL ATMOSPHERES WITHIN THE SPACES I DESIGN The entrance level was originally structured around a long, narrow hallway lined with small rooms for the nuns. Rather than eliminating these spaces, Gürkan preserved their essence while repurposing them. “These rooms, with their 4-meter-high ceilings, have been transformed into a dining room, living room, and bedroom. The kitchen, slightly lower and opening onto the garden, was also integrated into this level. The main hallway— wide, tall, and full of character—has become the focal point of the house, a space where both past and present residents have gathered. It’s a true meeting point,” Gürkan says. for more Print VOL XV - 2025 970,00₺ Price Add to Cart

Yuzu Community JOIN yuzu COMMUNITY If you’re curious about new ideas and new people... If you love sharing experiences and exchanging perspectives... If you’re done saying “it’s always the same crowd”... If you’re looking for a community of like-minded souls... If you enjoy designing not only products or spaces, but also your own life... If you don’t define yourself by FOMO or JOMO... If the Swedish philosophy of Lagom — “not too much, not too little, just right” — speaks to you... Then join our YUZU COMMUNITY gatherings — where creative people from every field come together. These events are intimate dinners and special meet-ups designed to connect, inspire, and spark conversation. For each edition, we also collaborate with brands that share our mindset and values. To get priority access, simply fill out the membership form below and wait for your confirmation email from us. Community Application Form First name* Last name* Email* Phone* your profession* your age* your instagram account link* Register COMMUNITY DINNER Partner: JUMBO April 2023, Avlu Bebek NEW SWAHA - NEW YEAR DINNER Partner: ISOKYO December 2021, Raffles Istanbul VOL.5 PRIVATE DINNER Partner: KİLİMANJARO October 2021, bomontiada GREEN MORNINGS Partner: GROHE April 2021, Avlu Bebek A GREEN CONVERSATION Partner: +1 April 2021, Komşuköy YUZU GREEN DAY Partner: Komşuköy, Miboso, Ek Biç Ye İç, DemGreen, Lucca, Homemade, Kandilli Peyzaj, Panerai May 2022, Komşuköy

August 4, 2025 | VOL 15 SAND: the SILENT STORYTELLER words Alp Tekin photos Courtesy of Karim+Elias Have you ever found yourself drifting into the endless expanse of the desert landscape? If so, you might sense a similar feeling in the sand-focused design explorations of Karim+Elias, the Dubai-based studio founded by Karim Tamerji and Elias El Hage. Why is your design focus on desert sand? Is it solely related to the geography you live in, or are there other reasons as well? Our studio’s work is essentially built on two interconnected narratives: adopting a local material with cultural significance—desert sand—and preserving an ancient artisanal technique—rammed earth. Founded in the UAE in 2022, our studio’s vision has been deeply influenced by the geography of the Arab region, particularly its vast desert landscapes. Sand is an ever-present element in this environment, carrying a profound historical, cultural, and symbolic significance. We saw this as an opportunity worth exploring and asked ourselves: "How can we honour the region’s most abundant natural material in a way that bridges cultural and geographical boundaries?" We began by working with Dubai’s landscape, crafting earthen works and spatial experiences inspired by the country’s terrain. Today, our practice is expanding into neighbouring Arab nations such as Saudi Arabia, Qatar, and Jordan, continuing to explore the material’s potential across the region. Did everything start with the success of your installation at Downtown Design 2022? If that hadn’t happened, would sand still be your primary material? Sand has become the defining 'material of meaning' for the studio. Beyond Downtown Design, we have always been committed to celebrating this art form in diverse ways. Can we define the essence of your designs as sculpting with sand? Or how would you describe it? Through creative exploration, we have developed a distinct approach to working with rammed earth, with the goal of preserving and evolving the ancient art of "sculpting with sand." Much like the traditions of marble sculpting or wood carving, we see ourselves as revivalists—honouring a time-honoured craft while reimagining it through a contemporary lens. OUR UPCOMING INSTALLATIONS FOLLOWING ‘THE DESERT RELICS’ (2024) WILL EXPLORE NEW NARRATIVES, INSPIRING FRESH DESIGN INTERPRETATIONS ROOTED IN THE DESERT LANDSACEPE Do you mostly work with spherical forms? Will you explore other shapes in the future? Each project dictates the evolution of our craft. The challenges that arise push our R&D forward, allowing us to explore new ways of expressing form, colour, and function through our material. With both 'IOTA' (2022) and 'From This Earth' (2024), our large-scale public art installations, we explored modular spheres, experimenting with geometry, texture, and structural composition. These projects helped us transform what is traditionally perceived as a heavy material into something that appears light, soft, and contemporary. Looking ahead, our plans include further art installations and architectural interventions across the Arab region, as well as new product designs currently in development. In the art domain, our upcoming installations following ‘The Desert Relics’ (2024) will explore new narratives, inspiring fresh design interpretations rooted in the desert landscape. In architecture, we are pushing the material further with Sand Skins, introducing rammed earth as a refined interior and exterior surface finish, as thin as 7 cm where required. We have experimented with smooth, fluted, and organic textures across various projects, each offering its own distinct artistic expression. Over the next year, we look forward to unveiling installations for both private and commercial spaces. Are your creations purely collectible designs, or do you also create functional pieces like furniture? This year, we launched our first-ever product design line, The Desert Drop series. The collection begins with a grand coffee table, crafted from sand droplets and melted glass—a design inspired by the fluidity of oasis water. The series will expand to include wall sconces and vases, offering more accessible, sculptural pieces for stylists, designers, and homeowners. WE TAKE GREAT PRIDE IN DESERT LANDSCAPES AND THE MEANING THEY BRING TO OUR WORK I’m curious about your technique—how do you work with sand? And what are the challenges of working with it? The process is simple yet precise. We create each piece using a proportioned mix of local earth, clay, and water, compacted into sedimentary layers within custom-made moulds. Whether for an object, a sculpture, or an architectural wall, all materials are locally sourced and naturally pigmented in a diverse range of earthen tones. One of the main challenges is manipulating a heavy material to achieve softer, more organic geometries—creating the illusion of weightlessness and fluidity while maintaining structural integrity. How does the desert make you feel? We take great pride in desert landscapes and the meaning they bring to our work. Their simplicity is a humbling reminder of the region’s heritage and our primal connection to the earth. Spending time in the desert or by the seaside—which would you choose? Both! Especially in a rare and special place like Khor Al Adaid in Qatar, where the desert meets the sea in a breathtaking natural harmony. for more Print VOL XV - 2025 970,00₺ Price Add to Cart

August 2024 | Travel TR BELOW UNCOVERING COOL VANCOUVER words Alp Tekin V ancouver has a reputation as one of the world’s most livable cities – with a beautiful setting and an enviable record in terms of healthcare, culture, environment, education, and infrastructure. Vancouverism is a trendy new socio- term, for a trendy new type of urban living ideal. It is based on a powerful sense of respect for the environment; for dynamic urban living; for the essence and importance of public spaces - and for the popularity of public transport. Which all adds up to a pretty compelling formula for the world’s disaffected city dwellers. But this utopian ideal also has its critics. Some argue that Vancouverism is merely about ‘building density’, while others complain it leads to social and economic inequality by raising the cost of living in the city. Whatever! Vancouver continues to set an example to other cities, particularly with its stance on climate change. The city has been endorsing effective climate action plans since the 1990s. Zero Waste 2040, a community-driven initiative, is one of the most impressive climate projects in the city. Tempted to move to the world’s most liveable city? Check out the coolest neighborhoods... DAVIE VILLAGE/WEST END Recognized for its seamlessly-integrated LGBTQ+ community, favorite haunts include Earnest Ice Cream, Caffe Mira, Honolulu Coffee, Elysian Coffee, Cardero Cafe, and Mary’s on Davie. Take time out to hunt for goodies in the stylish concept stores, like Wooden Spoon, Salt Spring, Biblio, The Archie and Little Mountain. KITSILANO Top choice of young professionals and families, with social hubs such as 49th Parallel Coffee and The Only Cafe. For Vietnamese culinary delights, visit La La Island, Head to the Noodle Man for ramen. And discover a wealth of local design treasures at 3204 W Broadway. GASTOWN Home to numerous edgy art galleries, innovative cafes, and boutiques. Enjoy great coffee at Revolver, Purebread, Propaganda, and Cafe Monaco. Eat well at Pourhouse, Water St Cafe, Meat & Bread, Di Beppe, Pidgin, L’abattoir, and MeeT. Discover unique goodies at The Latest Scoop, The Block, Artemisia Clothing and One of a Few. Have a cocktail at Bagheera, a speakeasy bar inspired by Rudyard Kipling’s The Jungle Book. Decorated with 19th and 20th century Indian and French references, Bagheera was designed by Bergman Design House, founded by Marie Solomon and Albin Berglund. Bagheera is accessed through a shop (also called Happy Valley Turf Club) where bets are placed on horse races. COMMERCIAL DRIVE A bohemian haven, the area’s daytime hotspots include Prado Cafe, Café Calabria, Commercial Street Cafe, and Cafe Deux Soleils. Popular dinner options include, Arriva Ristorante, Havana Vancouver, Biercraft and Tapas, and Famoso Italian Pizzeria. Check out the must-visit concept stores, like The Found & the Freed, People’s Co-Op Bookstore and Paranada Traders. UP AND COMING AREAS - MOUNT PLEASANT: Known for its flashy stores, eclectic restaurants and vibrant murals. Explore great concept stores like The Arbor Restaurant and Some Other Place. Refuel in Kudu, The Daily, Vintage Coffee, Burdock & Co, Old Bird, The Acorn Restaurant, and Published on Main. - RENFREW-COLLINGWOOD: Enjoy a melting pot of diverse dining options, ranging from Ruka Coffee to La Saison de Patisserie and Marui Bakery. EN YAŞANABİLİR ŞEHRİN cool MAHALLELERİ V ancouver’ın dünya çapındaki ünü malum: Bu şehir sağlık, kültür, çevre, eğitim ve altyapı alanlarındaki yüksek puanları nedeniyle her daim dünyanın en yaşanabilir şehirlerinden biri olarak seçiliyor. Dahası, “Vancouverizm” diye bir terim var. Vancouverizm, yeni tür şehir yaşamını tanımlamak için kullanılıyor. Hem kent mimarisi ve planlaması hem de şehir yaşamı için bir ideali temsil ediyor. Vancouverizm’in anahtar kelimeleri ise şöyle: Doğaya saygı, dinamik şehir yaşamı, kamusal alan ruhu, toplu taşımaya önemli ölçüde bağımlılık ve yeşil alanlar… Ama bu idealin eleştirildiğini de söylememiz gerek. Vancouverizm’in aslında sadece “bina yoğunluğu” olduğunu söyleyen de var, şehirdeki maliyetleri yükselttiği için sosyal ve ekonomik eşitsizliğe yol açtığına dikkat çeken de… Her şeye rağmen Vancouver ve Vancouverizm diğer şehirlere örnek olmaya devam ediyor. Özellikle de iklim konusunda. Çünkü 90'lardan bu yana Vancouver bir iklim eylem planı üzerinde çalışıyor ve bu konuda gerçekten lider. Ve gelelim bu ideal şehrin birbirinden farklı atmosferlere sahip cool mahallelerine… DAVIE VILLAGE/WEST END Özellikle LGBTİ+ topluluğuyla tanınıyor. Mahallenin gözde mekanları: Earnest Ice Cream, Caffe Mira, Honolulu Coffee, Elysian Coffee, Cardero Cafe ve Mary’s On Dave. Ayrıca Wooden Spoon, Salt Spring, Biblio, The Archie, Little Mountain isimli konsept dükkânları da uğramalık. KITSILANO Genç profesyoneller ve aileler arasında popüler olan bir mahalle. 49th Parallel Coffee ve The Only Cafe en iyi sosyalleşme noktaları. Vietnam restoranı La La Island ve noodle restoranı Noodle Man iyi restoranlar arasında. 3204 W Broadway ise lokal tasarım ürünlerin bulunabileceği bir dükkan. GASTOWN Galeriler, yenilikçi kafeler ve bağımsız butiklerin karışımını sunan bir mahalle. Revolver, Purebread, Propaganda ve Cafe Monaco; tavsiye ettiğimiz kafeler. Pourhouse, Water St Cafe, Meat & Bread, DiBeppe, Pidding and L’Abattoir ve MeeT ise bu mahallenin iyi restoranları. The Latest Scoop, The Block, Artemisia, One Of a Few ise uğranılması gereken konsept dükkânlar… COMMERCIAL DRIVE Bohem atmosferiyle tanınan bu mahallede gündüzleri takılmak için Prado Cafe, Cafe Calabria, Commercial Street Cafe, Cafe Deux Soleils’e, akşam yemeği için ise Arriva, Havana, Biercraft Tap and Tapas ve Famoso’ya uğranabilir. Bu mahallenin gözde konsept dükkanları ise şöyle sıralanıyor: The Found and the Freed, People’s Co-Op Bookstore, Paranada Traders. YÜKSELİŞTEKİ MAHALLELER 1. MOUNT PLEASANT: Gösterişli mağazaları, eklektik restoranları ve çarpıcı duvar resimleriyle tanınan bir mahalle. Uğranması gereken konsept dükkânları The Arbor ve Some Other Place. Popüler kafe ve restoranları ise şöyle: Kudu, The Daily, Vintage Coffee, Burdock&Co, Old Bird, The Acorn, Published on Main. 2. RENFREW-COLLINGWOOD: Bu mahalle farklı zevk ve tercihlere hitap eden restoran ve kafeler de dahil olmak üzere çok çeşitli yemek seçenekleri sunuyor. Mesela Ruka Coffee, La Saison de Patisserie ve Marui Bakery.

Nisan 2020 | Art | Türkiye LARA KAMHİ ‘Aşırı kalabalık bizi özümüzden uzaklaştırdı’ Yazı | Onur Baştürk L ara Kamhi 10 yıldır sinematik sanatlar alanında üretim yapan bir çağdaş sanatçı ve yönetmen. “Transparency of Being” adlı belgesel filmini karantina günlerinde online olarak Youtube ve Vimeo’da herkesin erişimine açmıştı. Gündelik hayat, teknolojik iletişim ve ulaşım platformlarının istilası ile tinsellik üzerine karşılaştırmalı gözlemlerden oluşan belgeseli izledikten sonra Lara Kamhi’yi aradım ve merak ettiklerimi sordum. Yaptığın işi erişime açarak belgeselin adı gibi transparan davranmış oldun. Tıpkı müzelerin, galerilerin işlerini dijitalde erişime açması gibi, sanat sence tamamen dijitale mi evriliyor? Yakın zamanda aracı kurumlar ortadan kalkacak mı? Ne dersin? Uzun zamandır akımlardan söz etmiyoruz, dikkatinizi çekerim. Süreçler de paylaşım sistemleri de bireyselleşti. Özellikle son 15-20 yıldır küresel krizlerle ve dijital mecraların yaygınlaşmasıyla birlikte bireyler bir topluluğa dahil olmadan veya galerilere ihtiyaç duymadan seslerini duyurur oldu. Kısıtlamalara ve hatta galeri sisteminin tekdüzeliğine inat sokak akımları zirve yaptı! Çünkü engel olundukça sanat güçlenecektir. Bu sanatın doğasında var. Ve o engele rağmen sanatını icra etmenin yollarını bulan yine bireyler olacak. Kurumlar değil. Sanatın dijitale evrildiği bir gerçek, ancak bu dijital mecralar da el becerisi, teknik bilgi ve disiplinli bir çalışma gerektiriyor. Öyle sanıldığı gibi kolay değil, daha bile zorlaşabiliyor süreç. MİLYONLARCA GERÇEK VAR Belgeselin kalabalıkları, ulaşım ve iletişimin aşırı hallerini gösterirken bir yandan da yalnız kalan/kalabilen bireye de odaklanıyor. Ortasını mı bulmalıyız yoksa sil baştan yeni bir anlayış mı gelmeli? Şöyle olmalı, böyle olmalı diyemem. Gözlemim, bu aşırı kalabalığın bizi özümüzden uzaklaştırdığı yönünde. Ancak bir yandan da bu özünü kaybetme durumu bizi onu aramaya iten. Bu bir paradoks! Mesela gerçekliğimizi yitirdik ve bu yüzden sürekli onu yaratmaya çalışıyoruz. Benzer bir kısırdöngü bu. Tüm dijital paylaşımlar birer gerçeklik oluşturmaya başladıkça, fiziksel olan gerçeklik de niteliğini kaybetti. Bu durum da bizi yine paradoksal bir biçimde onun sayısız temsiliyetini yaratmaya sürükledi. Sinematik teknolojiler ne yönde gelişiyor dikkat edin: Gerçekliğin daha kusursuz halini nasıl yaratabilirim? Tüm mesele bu. Sosyal medyaya bir de bu gözle bakın: Milyonlarca gerçek var! Bazı temel kavramlar kaybolmaya başlayınca kaçınılmaz şekilde baştan tanımlanmaları gerekiyor. Böyle bir ara dönemdeyiz. Sonucuna kolektif bir biçimde hep birlikte karar vereceğiz! HAYAT TARZIMIN ADI BİREYSEL İZOLASYON! ‘Transparency of Being’i neden Japonya’da çektin? Bir yakınımın Japonya’da film çekimi vardı. Ön araştırma sürecinde yanına yardıma gitmiştim. Bu yolculuktan film çekerek döndüm. Japonya ve Güney Kore gibi ülkeler uzun süredir radarımdaydı. Hem tinselliğin en geleneksel halinin korunduğu hem de son derece teknolojik sistemler… Bu iki zıt gözüken elementin birbiriyle barınma ve birbirini besleme biçimlerini araştırıyordum. Sonrasında aynı konuya değinen bir ikinci versiyonu katıldığım bir sergi için gittiğim Tunus’ta çektim. Japonya ve Tunus taban tabana zıt kültürler. Bu kavramları bir de ters köşeden irdelemek ilginç oldu. Ancak o projenin montajı henüz tamamlanmadı. Biraz daha vakti var! Senin için bireysel izolasyon zor mu kolay mı? Meğer benim hayat tarzımın bir adı varmış: Bireysel izolasyon:) Aslında bunu hâlâ çekinerek söylüyorum, çünkü senelerdir evden çalışmak, vaktinin büyük kısmını dışarı çıkmadan evde geçirmek bir nevi kolaycılık veya tembellik olarak kodlandı toplum tarafından. Ancak sanırım artık bunun bir geçerliliği yok. Herkes gördü bunun çok da kolay bir iş olmadığını! ‘Transparency of Being’ hangi festivallerde gösterildi? Belgesel ilk senesinde İstanbul Sonar Festivali’nde, Redbull Art Around projesi kapsamında ve Bilsart Galeri’de gösterildi. İkinci senesinde yolculuğuna İstanbul Experimental Film Festivali, yine İstanbul’da Adam Sanat Evi, Bolonya’da Weekend on the Moon etkinliği ve Atrabilious Amsterdam Experimental Film Festivali’nde devam etti. Şu sıra ne üzerinde çalışıyorsun? Son iki aydır bir müzik videosu üzerine çalışıyordum. Tam bitirecektim ve yayınlayacaktık ki, iki gün içerisinde dünya değişti. Aslında ilginçtir: Videoyu evde tek başıma minik setler, ışıklar kurup çekimler yaparak, çok bireysel bir süreçte üretmiştim. Bugüne kadar bu tip çok proje yapmış olmama rağmen bu video kendi özelinde bana pek çok şeyin bireysel bir şekilde yaratılabileceğini tekrar gösterdi. Kendimi bu hususta şanslı hissediyorum. Çalışma sistemim tüm projelerimi evden yürütmeme olanak sağlıyor! MÜZİĞİ BIRAKMIŞ GİBİ HİSSETMEDİM Yıllar önceki ilk karşılaşmamızda müzikle ilgili bir şey yapmak istiyordun. Zaman içinde yol seni çağdaş sanatçı olmaya doğru çıkardı. Seçimi sen mi yaptın yoksa hayat mı bu noktaya getirdi? Hayat da seçimler sonucunda bir noktaya gelmiyor mu zaten? Evet, bu benim seçimimdi. Hayat da destek oldu. Çok ilginç, kendimi hiçbir zaman müziği bırakmış gibi hissetmedim. Ya da ben çağdaş sanatçı oldum, ben yönetmen oldum da diyemedim aslında. Tüm süreçler birbirini besledi, yarattı. Son olarak: Kendini kalabalıklarda mı güvende hissedersin yoksa tek başınayken mi? Gerçek güven duygusunu içinizde hissedersiniz. Onunla olan meselenizi çözerseniz, kalabalıkta da tek başına da güvende hissedebilirsiniz kendinizi. Ben artık her ikisinde de güvende hissediyorum çoğunlukla. Ama bir tercih yapmam gerekirse tek başına daha huzurlu olduğum bir gerçek! ART | Kategorinin diğer yazıları ‘Resimlerin kendi içinde tedirgin olmasını önemsiyorum’ Mahremiyeti sorgulamak daha erotik Yuzu & nom-studios sunar ‘LOOP’ sergisi Kemal Özen "Gam'zede" Online Sergi Hangi yetişkin bir ‘Gam’zede’ değil ki artık? Ali Elmacı’nın atölye günleri notları May Parlar "Collective Solitude" Online Sergi Lara Kamhi’yle paradokslar ve izolasyon üzerine... BASE’in yeni dijital projesi yakında Sessiz Odanın Çığlığı İtalya’daki müzeden salgına bakınca… Yıldızı daha da parlayacak: Salman Toor Online açılış yapan İstanbullu sergi

December 2024 | Urban ENGLISH BELOW ŞEHİRDE en son BUNLAR OLDU words Onur Baştürk Medya işinde olmanın en berbat yanı: İnsanlar sen sormadan kendini, projesini, dün yediği yemekteki sosu, hafta sonları Londra’ya gidip geldiğini, saçına/yüzüne yaptırdığı son işlemi, ne kadar çok kazandığını, hatta sevişirken hangi sesleri çıkardığını (dahi) anlatıyor, sen de dinliyorsun. Yıllar içinde dinlemeye o kadar alıştım ki, kendimle ilgili bir şey anlatmak tuhaf gelmeye bile başladı. Zaten insanlar dinlemeyi değil, anlatmayı seviyor (Bakınız bununla ilgili bir tavsiyem var, BBC dizisi The Listeners). Aslında buna anlatmak da demeyelim, ‘saçmak’ diyelim. Çünkü çağın olayı bu: Ne kadar kendini saçarsan o kadar varsın. Buna inanılıyor ve adına da “içerik üretmek” diyorlar, değil tabii. Başlangıç niteliğindeki bu sosyal hayat serzenişimden sonra şehir turuna hızlıca başlayabiliriz. İlk durak, Rixos Tersane. Şu sıra burada event yapmayan marka kalmadı gibi. Peş peşe o kadar çok event oldu ki, pes ve çoğuna da pas! Ben en çok Borusan Otomotiv'in distribütörü olduğu MINI’nin yeni modellerini tanıttığı eventi beğendim. Neden? Çünkü ana sahneden bara, canlı performans köşesinden girişe kadar müthiş özenli tasarım vardı. En az yeni MINI Cooper 5 Kapı ve yeni MINI Cooper Cabrio modelleri kadar event tasarımına bayıldım. Ayrıca o gece İcra Kurulu Başkanı Hakan Tiftik’in aktardığı şu bilgiye de şaşırdım: 2024’ün ilk 10 ayında toplam MINI satışları 3 bin adetle tüm zamanların rekorunu kırmış. Ayrıca elektrikli MINI’nin satışları da 5 kat artmış. Bu artışı yapanlarla mümkünse her gece İstanbul’un en pahalı restoranı Arkestra’da buluşup ekonomiye olan katkılarını kutlamak istiyorum. Vazgeçtim, her gece bayar… İkinci durak, İstinye Park. İstanbul’un en çok Arap turist çeken AVM’si. Burası yeni bir yeme-içme alanı doğurdu geçtiğimiz haftalarda. İçinde Cova’nın da bulunduğu bu uzun yeme-içme koridorunun karşılıklı konumlanmış yıldızları ise Epoca ve Cantinery. Epoca’da katıldığım Melis Göral Jewelry yemek davetinden gördüğüm kadarıyla burası Zorlu AVM’nin yan yana konumlanmış Morini ve Cantinery’si gibi bir yer olma hedefini taşıyor. Bu arada Melis Goral Jewelry’nin İstinye Park’taki yeni mağazasının tasarımı Enis Karavil’in liderlik ettiği Sanayi 313’e ait. Bu tasarım bilgisini de onca laf kalabalığımın arasında not düşeyim. BİR DE BUNLAR OLDU… - Frankie’nin 2’inci yaş kutlaması için yapılan ‘dinner parrty’de ambiyans, eğlence çok New York’tu, ama keşke restoranın ilk açıldığı dönemdeki yemekleri menüde kalabilseydi… - Son zamanlarda tasarımını en çok beğendiğim restoran Suadiye’deki La Plage oldu. Melisa Obertelli ve Eren Karacaoğlan’ın kurucusu olduğu Architag Design tasarımı mekanın her köşesi birbiriyle uyumlu ve zevkli. Özellikle barı nefis. - Şu sıra Kuruçeşme yükselişte, ama her türlü yükseliyor! Misal, yeni açılan restoranlardan Carla’nın menüsünde ana yemek fiyatına satılan (850 liralık) guacamole var. Sipariş verdiğimiz garsonun söylediğine göre, “Guacamolenin avokadosu çok özelmiş, ondan fiyatı böyleymiş”. Peki, öyle olsun. HERE’S WHAT’S HAPPENING in the CITY The worst part of working in media? People volunteer every detail about themselves—unasked. Their projects, the sauce they had with last night’s dinner, their weekend trips to London, their latest cosmetic tweaks, their earnings, and yes, even the sounds they make during sex. And you just listen. Over the years, I’ve gotten so used to listening that talking about myself now feels awkward. But let’s face it—people love talking, not listening. (Pro tip: check out the BBC series The Listeners for a refreshing take on this.) Actually, let’s not even call it “talking.” Let’s call it “oversharing.” Because that’s the essence of the age we live in: the more you expose yourself and your life, the more you seem to exist. People truly believe this—and call it “content creation.” It’s not, of course. Now that I’ve gotten this little reflection out of the way, let’s dive into a quick tour of the city. STOP #1: RIXOS TERSANE It seems every brand worth its salt has hosted an event here recently. There have been so many back-to-back events that I’ve lost count—and interest in most. But I have to say, my favorite was Borusan Otomotiv’s launch for MINI’s new models. Why? Because the attention to detail was incredible—from the main stage to the bar, from the live performance area to the entrance. It was as impressive as the new MINI Cooper 5-Door and MINI Cooper Convertible models themselves. Also, here’s a surprising fact I learned from Borusan Otomotiv CEO Hakan Tiftik that night: in the first 10 months of 2024, MINI sold 3,000 units in Turkey, setting an all-time record. Plus, sales of the electric MINI have increased fivefold. Honestly, I’d love to meet the people behind those sales at Istanbul’s priciest restaurant, Arkestra, and toast their contribution to the economy. STOP #2: ISTINYE PARK Istanbul’s go-to mall for Arab tourists recently unveiled a new dining zone. The stars of this extended corridor, which also features Cova, are undoubtedly Epoca and Cantinery. From what I observed at the Melis Goral Jewelry dinner I attended at Epoca, the place seems to aspire to be İstinye Park’s version of Zorlu’s Morini and Cantinery duo. A side note: Melis Goral Jewelry’s new boutique at Istinye Park was designed by Enis Karavil and his team at Sanayi 313. AND ALSO… - Frankie’s second-anniversary dinner party had a very New York vibe in terms of ambiance and entertainment. If only the menu still featured the dishes from when the restaurant first opened… - Kurucesme is having a moment—quite literally rising in every way. For instance, Carla, one of the area’s newest restaurants, serves guacamole priced at 850 lira. The waiter told us it’s because the avocados are “very special.” Sure, let’s go with that.

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November 5, 2025 | DESIGN & INTERIORS a FUNCTIONALIST HOME words Alp Tekin photos Alex Shoots Buildings In Prague’s New Town, architect Martin Cenek turns his own apartment into a meditation on form, function, and memory. The result is a space where modernist precision meets quiet, lived warmth. In a late-1930s functionalist building in Prague’s New Town, architect Martin Cenek has transformed his own apartment into a quiet reflection on time, identity, and design. The 49-square-metre flat — both home and experiment — balances restoration with renewal. Cenek approached the project as both architect and inhabitant. Original windows, doors, and fittings were meticulously restored, while a raw concrete ceiling, once hidden under plaster, now anchors the living room with sculptural clarity. A new block of custom furniture in stained oak and white lacquer conceals the bathroom, kitchen, and storage — a minimalist gesture that shapes space without erasing history. Every piece tells a story: Thonet chairs from his great-grandparents, a 1930s lamp from his great-uncle’s office, a rare tubular chair by Karel Ort, and a Nendo “Fusion” sofa coexist naturally, joined by a pink piglet stool — a humorous gift that softens the discipline of the space. Cenek calls the renovation an exercise in coexistence: between past and present, precision and play. The result is a home that feels deeply personal yet profoundly architectural — a modest ode to Prague’s modernist spirit.

October 27, 2025 | DESIGN & INTERIORS MID-CENTURY MODERN for TODAY words Noah Mercer photos Mikhail Loskutov style Yes We May On the top floor of a residential complex in central Moscow — built on the former site of the city’s legendary watch factory — architect Nikita Kostik, founder of A01.Studio, designed his own apartment as a quiet study in proportion, material, and light. The 64-square-metre residence interprets mid-century modern not as a nostalgic style, but as a living language reimagined through the logic of architecture and the context of the city. The result feels timeless yet deeply personal — a space where form follows emotion and design serves serenity. A complete reconfiguration opened the plan into a continuous, circular flow, turning the apartment into an observation deck above Moscow. From every angle — even from the bathroom — the skyline becomes a part of the interior narrative. Natural light moves freely through open spaces, softening the geometry and creating a sense of balance and ease. Materials were chosen for their honesty and tactile presence: concrete, poplar root, Verde Alpi and Royal Rosa marble, alongside brushed stainless steel. Each surface contributes to an atmosphere of calm precision. Complementing these are Knoll chairs, USM pieces, and lighting by Flos, Atelier Areti, Zieta, Artemide, Ingo Maurer, and Martinelli Luce — design icons that bridge past and present with quiet confidence. Nordic Knots rugs and Iconico and Fantini fixtures add subtle tactile rhythm, while custom furniture and art objects by Kostik himself introduce a layer of introspection. The apartment’s duality — between structure and emotion, intimacy and openness — defines its character. Natural materials, precise proportions, and curated details form a cohesive dialogue in which aesthetics serve the mood rather than dictate it. In this personal retreat above the city, mid-century modern is no longer a style of the past but a language of presence — one that speaks of calm, integrity, and connection.

April 2025 | Art & Culture CURTAINS UP: ART BRUSSELS 2025 Following Art Cologne, which began in 1967, Art Brussels stands as the second oldest contemporary art fair in the world. Now, it returns for its 41st edition from April 24 to 27, 2025! Reaffirming its position as one of Europe’s leading contemporary art platforms, Art Brussels will host 165 galleries from 35 countries this year. Divided into five curated sections—Prime, Solo, '68 Forward, Discovery, and Invited—the 2025 edition will showcase works by over 800 artists. Expanding its scope this year, the fair focuses on all forms of contemporary art. Let’s take a quick look at the highlights… A CLOSER LOOK AT ART BRUSSELS 2025 - Sponsored by Delen Private Bank and Bank Van Breda, Art Brussels 2025 draws a diverse international lineup: 26% of the participating galleries are from Belgium, 17% from France, 13% from outside Europe, 8% from Germany, and another 8% from Mediterranean countries. TWO NOTABLE NEW INITIATIVES FOR 2025 - Art Brussels 2025 introduces two important new initiatives. The first is The Screen, a curated video art programme selected by Eliel Jones (Curator of Performance and Time-based Media at KANAL-Centre Pompidou) and filmmaker Alex Reynolds. Each selected video will be shown in a dedicated one-hour screening slot at the Tribune, ensuring maximum visibility for fair visitors. With two daily screenings from Friday to Sunday, The Screen aims to enrich the visitor experience by offering a focused space for video art. “While there is no unifying theme, all the selected works play with the forms of documentary and experimental essay,” say Jones and Reynolds. - The second initiative is Monumental Artworks, a section curated by Carine Fol (City of Brussels), a public art expert, showcasing large-scale installations. Featured artists include Willem Boel, Rui Chafes, Karl Karner, Jonathan Meese, Jean-Bernard Métais, Hilde Overbergh, Joost Pauwaert, Thomas Schönauer, and Antoine Waterkeyn. STRIKING INSTALLATIONS - Visitors are welcomed by site-specific projects, including an installation by Céline Condorelli—represented by Galeria Vera Cortês—which reimagines the fair’s entrance. Exploring the intersections of art, architecture, design, and civic engagement, Condorelli draws a connection between the moment of “arrival” and stepping onto a stage, using theatrical curtains to emphasize this performative threshold. - Another installation is Carton plein, an archive project by Juan d’Oultremont, which begins with the question: what remains after an exhibition ends? A memory, an echo, sometimes just an invitation. D’Oultremont has been collecting these fragments for years. His archive of over 10,000 carefully preserved exhibition invitations forms a map of Belgian contemporary art. Despite their temporary nature, these invitations offer insights into graphic trends, curatorial daring, and the evolution of past and present artists. DUFOUR’S MONUMENTAL INSTALLATION - The Fédération Wallonie-Bruxelles presents a monumental installation by young artist Maëlle Dufour. Since the beginning of her career, Dufour has focused on the destructive impact of humans on natural resources and living systems. For the fair, she has created hundreds of ceramic Oyas—porous clay vessels traditionally buried near plants to deliver water slowly to the roots. Their form and material recall plastic jerrycans. With this work, Dufour draws attention to the disappearance of water. - Maison Ruinart will showcase new works by guest artist Lélia Demoisy, created as part of the Dialogues with Nature programme. - The 75th anniversary of the Belgian Art Prize—which removed its age limit in 2017—is celebrated with a special exhibition titled Back to the Future in the Stibbe Lounge. The Discovery Acquisition Prize, supported by Moleskine, continues to focus on supporting museum collections. PERFORMANCES - Where the Body Begins Curated by Luk Lambrecht, this performance invites audiences to experience art beyond the visual—engaging on a deeper, more visceral level. When: Friday, April 25; Saturday, April 26; Sunday, April 27 — daily from 14:00 to 17:00 Where: Art Brussels, Hall 5 entrance - Breaking Free by Lieven De Boeck The Circus – Embracing Fluidity in Art and Identity This interactive performance allows visitors to assume any role—artist, curator, or critic—simply by donning the corresponding costume. By blurring the lines between creator and observer, it dissolves the divide between insider and outsider. When: Thursday, April 24 at 13:00, 15:00, and 17:00

October 27, 2025 | PRODUCT SOFT STEEL ZUCCHETTI x LC ATELIER photos Monica Armani and Luca Dallabetta, PH: k-448 A Day With LC Atelier, PH: Tobia Faverio In the calm courtyard of LC Atelier, Milan, Zucchetti’s A Day With series opens a new chapter — one that celebrates creative interpretation and material poetry. Out of gallery Here, designer Monica Armani’s Sablier collection takes center stage. Inspired by the silhouette of an hourglass, its soft lines and harmonious proportions give stainless steel an unexpected sense of fluidity. The sandblasted finish, velvety to the touch, reflects LC Atelier’s refined aesthetic — an interplay of light, balance, and quiet precision. In this dialogue, the faucet becomes more than a functional element; it’s a silent sculpture that unites utility and grace. Founded by Lucrezia Calvi, LC Atelier is an interior architecture studio that approaches each project as a personal narrative — crafted through collaboration, material sensitivity, and contextual awareness. “We chose Sablier for its softened, elegant forms,” says Calvi. “It resonates with our idea of space and how aesthetics and function can speak the same language.” The visual story unfolds through simple gestures: a hand brushing against cool metal, water cascading among lilies, a ray of light slipping over steel and glass. Every frame captures continuity, not contrast — where design dissolves into atmosphere. Zucchetti and LC Atelier’s collaboration reveals a shared philosophy: the pursuit of beauty in everyday gestures. Sablier embodies this dialogue — an object that holds the delicacy of time, shaped by Italian craftsmanship and timeless design. Out of gallery

November 26, 2025 | DESIGN & INTERIORS a GENTLE RHYTHM in LA words YUZU Editorial photos Will Myers production Karine Monié Louis & Rose approached this 1938 Los Feliz home with an evocative starting point: “Emily Dickinson living in the English countryside — suddenly dropped into the vibrancy of Los Angeles.” This contrast shapes the project’s tone: introspective calm meeting the cultural energy of one of LA’s liveliest neighborhoods. Rather than opening the plan, the studio preserved the home’s traditional layout, allowing each room to retain its purpose and sense of intimacy. “A defined floor plan supports both solitude and gathering,” says founder JD Irpino. “It gives the home a natural rhythm.” Drawing inspiration from early Boston and Philadelphia interiors, the design blends the pragmatism of early American homes with the charm of the British countryside — not through literal imitation, but through atmosphere. Tongue-and-groove paneling, beadboard, a built-in pantry and breakfast nook bring subtle craftsmanship to the foreground, while moments of whimsy appear in Pierre Frey’s powder-room wallpaper, bold tiles and the mix of vintage and contemporary lighting. The palette stays light and refined: whites, creams, pale greens and blues set a serene tone, paired with oak flooring, Carrara marble and hand-selected tiles from Italy and Sonoma. Visual Comfort pieces, including Thomas O’Brien’s Piaf chandelier, weave together old and new. “We see ourselves as custodians of a home’s story,” Irpino notes. “Timeless materials create continuity — a dialogue between past and present.” Throughout, playful details enliven the calm. Clarence House’s floral dining-room wallpaper introduces confident movement, while sculptural lighting and expressive color choices add character without overwhelming the space. The result is a home that feels layered and quietly expressive — a meeting point between LA brightness, New England restraint and the poetic intimacy of the English countryside.