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November 12, 2026 | DESIGN & INTERIORS

FROM the ENGLISH COUNTRYSIDE to DENVER

words Karine Monie         

photos Kylie Fitts

Bridgehouse Studio kept the floor plan of a Tudor-style house in Hilltop and reworked the interiors with arched openings, leaded glass and a warmer palette.

Camille Muhtar grew up in California, but some of her fondest memories are of Bridgehouse, her family’s Tudor cottage in the English countryside. Named for the village bridge beside it, the cottage was where she first fell for the quiet character of English houses.

 

Muhtar drew on those memories when her studio took on a Tudor-style house in Denver’s historic Hilltop neighbourhood. “The project is essentially a reset,” says Muhtar, principal of Bridgehouse Studio. The team kept the structure and chose materials, colours and furnishings to suit the family’s daily life.

 

A CURVE REPEATED

 

On her first visit, lead designer Liv Blumberg noticed a curved cupboard in the entrance hall that was “unlike anything else in the house”. The team echoed its curve in the arched front door, the openings clad in stained oak and the joinery framing the windows beside the fireplace.

 

Blumberg drew on traditional European architecture to give the rooms a sense of age. Hand-painted wallpaper panels have the look of plaster, while a row of square cut-outs gives the family room mantelpiece and the Leblon quartzite washstand a crenellated edge. Dark beams flank the living room hearth. The room’s diamond-paned leaded glass reappears in the sitting room and main bathroom.

RUSSET, OLIVE AND STONE

 

Muhtar pictured “the sunbaked dirt and rustling leaves of an olive grove” when she chose russet and olive. Soft French blue offsets the warm browns of leather and stained timber. The historical references extend into the 20th century with a 1920s Aubusson tapestry and French Brutalist side chairs.

 

Carrara marble still tops the kitchen island. The surrounding worktops, in black soapstone veined with olive green, balance the dark beams overhead.

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