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Ocak 2022 | Tasarım | Vol VI ARNAUD NICOLAS “Koleksiyonerler ürünlerimize mekanik sanat eseri diyor” Yazı | Oktay Tutuş L ’Epee1839,muhtemelenisminibugünedekduymadığınız bir marka. Kurulduğu 1839 yılından bugüne sadece saat üreterek ayakta kalabilmiş bir İsviçreli. Guguklu saatler, masa saatleri, müzik kutuları ve bunların içindeki mekanizmaları üreten firma, zamanında Concorde süpersonik jetlerinin içine konulan saatleri de üretmiş. Ayrıca rekorlara imza atan dev masa saatlerinden tutun da, Lady Diana ve Prens Charles’ın düğün hediyesi olarak Hermes kılıf içinde verilen saatlere dek önemli tasarımların da sahibi. Klasik saatçilik konusunda uzman olan markanın kaderi 2014 yılında, MB&F isimli bir diğer İsviçreli avangart markanın teklifiyle “Starfleet Machine” isimli ürünü piyasaya sunmalarıyla beraber değişiyor. İnsanların ilgisini görünce bu tarz iş birliklerinin üzerine gitmeye karar verip şimdilerde daha çok kinetik sanat eseri dedikleri masa üstü gizmolardan üretiyorlar. Onlara hem harika bir işçilikle bir araya getirilmiş dekoratif bir obje hem de gözünüzün önünde sürekli hareket eden mekanizmaya sahip bir saat olarak bakabilirsiniz. Her ikisi de doğru. Ama daha çok zamanı izlemek ve onu saygıyla selamlamak için güzel bir araç gözüyle bakmanız tavsiye ediliyor. Devamı için... Print VOL VI - 2022 Out of Stock View Details

Geppy Pisanelli’s Hidden Lights at GR Gallery in New York juxtaposes nature with artificial structures to examine perception, connection, and resilience. February 2025 | Art & Culture HIDDEN LIGHTS words Laura Cottrell Italian visual artist Geppy Pisanelli has returned to GR Gallery in New York with Hidden Lights, a solo exhibition exploring the dynamic interplay between nature and artificiality, on view until March 15th.. Rooted in both narrative and compositional intent, the artist's latest works juxtapose natural elements—such as waterbeds, trees, mountains, and waterfalls—with artificial structures, including minimalist shelters and artificial lighting. By placing human-made objects in unexpected natural settings, Pisanelli creates a visual tension that challenges perceptions of reality. This contrast, both poetic and unsettling, invites viewers to reconsider the boundaries between organic and constructed worlds. The exhibition’s title, Hidden Lights, immediately suggests a paradox: light, traditionally linked to illumination and clarity, is described as hidden. This conceptual contradiction mirrors the layered interplay of visibility and obscurity in Pisanelli’s compositions. Through a precise balance of form, subject, and content, the artist crafts enigmatic scenes that feel at once familiar and dreamlike, triggering a sense of intellectual and visual alienation. THRESHOLD IMAGES and THE SEARCH for CONNECTION Born in 1971, Geppy Pisanelli is an Italian visual artist whose practice revolves around painting as a medium of communication. His work is deeply engaged with the creation of archetypal images—compositions that initially appear as realistic depictions but gradually reveal metaphorical and psychological layers. "At the core of my work is the idea of 'threshold images'—scenes that invite the viewer to step inside, much like entering a theatrical stage. Through recurring motifs that I call 'minimum survival units'—bridges, tents, poles, ropes, sea rafts, and human figures—I strive to transcend cultural boundaries, presenting timeless and universal forms." Pisanelli’s work echoes the notion that human existence is deeply interconnected. Referencing Thomas Merton’s reflection that “no man is an island”, his paintings suggest that our shared pursuit of connection and understanding may be essential for survival. This theme becomes particularly poignant in his latest series, where the imagery resonates with the opening lines of D.H. Lawrence’s Lady Chatterley’s Lover (1928), written in the aftermath of war: "Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes." With Hidden Lights, Pisanelli continues this reflection, offering glimpses of resilience and renewal in an era of uncertainty. His paintings do not merely depict landscapes but rather construct psychological spaces—thresholds between the seen and the hidden, the real and the imagined.

Mazurina Design's Almaty residence, designed by Oxana Mazurina, pairs neoclassical architecture with Scandinavian-inspired interiors and natural light. May 2025 | DESIGN & INTERIORS a LIGHT-FILLED CLASSIC words Karine Monie photos Damir Otegen interior design Mazurina Design interior stylist Aigerim Mamyraliyeva Designed by Oxana Mazurina of Mazurina Design, this sunlit, Scandi-inspired residence in Almaty redefines classic elegance with a modern, livable spirit. Tucked away in a quiet neighborhood not far from Al-Farabi Avenue—the main artery of Almaty, Kazakhstan—this three-story home radiates understated sophistication. Designed for a vibrant family, it blends neoclassical architecture with the cozy minimalism of Scandinavian style, offering a fresh take on timeless design. When the homeowners first approached Oxana Mazurina, their vision was clear: a neoclassical home bathed in natural light, layered in soft, clear tones, and filled with cozy, tactile materials. DESIGN HIGHLIGHTS 1- A Welcoming Living Room: The heart of the home features a sculptural fireplace nestled between stately oak bookshelves, setting a cozy, grounded tone. Soft, curved furnishings and playful details amplify the relaxed yet polished atmosphere. 2- The Kitchen as a Family Hub Anchored by a Swedish-made dining table and a breakfast island, the kitchen flows naturally into a sunlit terrace—a seamless connection between indoors and out. 3- A Breath of Fresh Air Thanks to double-height ceilings and expansive windows, natural light fills every corner, reinforcing the home's sense of openness and calm. A FOUR-YEAR PAUSE — AND A FRESH START Midway through construction, life took an unexpected turn: a career opportunity moved the family to Astana, halting the project for four years. When they returned to Almaty, with a new baby in the family, the house's design needed refreshing. "The biggest challenge was revisiting everything—plans, shopping lists, even a warehouse full of materials—after so much time had passed," Mazurina recalls. Tastes had evolved, too. "We decided to simplify the interiors, introducing more modern elements while staying true to the original vision." MATERIAL CHOICES Designed to accommodate a large family—including five children—the home is built on a foundation of durability and functionality: - Floors: Natural parquet, soft and easy underfoot - Kitchens: Quartz agglomerate countertops - Bathrooms: Porcelain stoneware and Victorian mosaics from FAP Ceramiche, marble benches and shower trays - Walls & Ceilings: Moisture-resistant paint for longevity COLOR STORY: SCANDINAVIAN SERENITY Mindful of both personal preferences and future flexibility, the homeowners opted for a calming palette: soft grays, warm beiges, pure whites, and muted greens dominate the interiors, echoing the serene tones of Scandinavian design. FINAL IMPRESSION With its marriage of classic structure and fresh Scandinavian spirit, this Almaty residence is a masterclass in how thoughtful design can bridge elegance and everyday life.

Karnas Vineyards is a Bodrum destination with 2,500 olive trees, Zinfandel wine, and a vineyard restaurant set among Tuscany-inspired landscapes. Ağustos 2022 | Bodrum Coffee Table Book | GASTRO & FUN KARNAS BAĞLARI Yazı & Fotoğraflar | Onur Baştürk S elva ve Haluk İşmen’in 2005 yılında kurduğu Karnas Bağları, son yıllarda özellikle lüks segment otellerde konaklayan turistlerin gözde uğrak yerlerinden biri. Nedenlerini şöyle sıralayabiliriz: 1. Buranın ambiyansı Toskana’yı anımsatıyor. Ziyaretçiler zeytin bahçeleri, meyve ağaçları ve asmaların arasından geçen kıvrımlı, romantik ve pastoral bir yolu takip ederek selvi ağaçlarıyla çevrili, terrakota malzemenin kullanıldığı bir binaya ulaşıyor. 2. Karnas Bağları, Roma döneminde dikildiği söylenen bin senelik ihtişamlı zeytin ağacı dahil olmak üzere kimisi genç, kimisi yüzlerce yıllık olan Memecik, Domat ve Gemlik türlerinden 2500 adet zeytin ağacına ev sahipliği yapıyor. 3. Buranın alameti farikası Zinfandel üzümü. Kaliforniya Napa Vadisi’nde yetişen meşhur Zinfandel üzümü, İşmen çifti sayesinde uzun süredir burada da yetişiyor ve elde edilen şarap yemeklerin yanında servis ediliyor. 4. Dahası, bağ restoranında sunulan yemekler çok leziz. Slow Food Bodrum kurucularından şef Aslı Mutlu tarafından hazırlanan menüde keşkek risotto, piruhi ve bağ otlarıyla pişirilmiş kuzu yer alıyor. Ayrıca restoranın gün batımı manzarası bu gastronomik deneyime eşlik eden en şahane unsur. KARNAS VINEYARDS writer & photography | Onur Baştürk K arnas Vineyards, founded by Selva and Haluk İşmen in 2005, in recent years, has been one of the most popular destinations particularly for tourists staying in luxury segment hotels. We can list the reasons as follows: 1. The ambiance here reminds of Tuscany. By following a curled, romantic, and idyllic path through olive gardens, fruit trees, and vineries, visitors reach a building made of terracotta, surrounded by cypress trees. 2. Karnas Vineyards is home to 2500 olive trees, some of which are young and some of which are hundreds of years old, from the Memecik, Domat, and Gemlik types, including the exquisite olive tree that is said to have been planted in the Roman period. 3. The trademark of this place is the Zinfandel grape. The famous Zinfandel grape, which grows in California’s Napa Valley, has been growing, for a long time, here as well, thanks to the İşmen couple, and its wine is served next to meals. 4. Furthermore, the meals served in the vineyard restaurant is very delicious. In the menu, composed by Chef Aslı Mutlu, one of the founders of Slow Food Bodrum, risotto, piruhi and lamb cooked with vineyard seasonings take place. Additionally, the restaurant’s sunset view is the most striking element that chaperones this gastronomic experience. Tamamı için... For more... Print BODRUM - COFFEE TABLE BOOK Out of Stock View Details

Kaplankaya E House in Bodrum, redesigned by Habif Architects, pairs Aegean light, natural materials, and refined interiors in a calm family home. September 25, 2025 | DESIGN & INTERIORS LIVING with LIGHT in KAPLANKAYA words Alp Tekin photos İbrahim Özbunar In Bodrum’s Kaplankaya enclave, this private summer house reimagined by Habif Architects offers a calm, balanced living environment where architecture and interior design flow seamlessly with the surrounding landscape. Spanning 320 m² of interior space and 1200 m² of landscaped gardens, the Kaplankaya E House maintains its dialogue with the rugged Aegean terrain while opening up to terraces, glass façades, and fluid interiors that redefine coastal living. Designed for a family of four, its horizontally stretched plan unfolds across three levels, where shifting floor plates and natural light create a rhythm that transforms throughout the day. ELEGANCE IN SIMPLICITY The design team describes the project as “a living space that embodies the elegance born of simplicity.” This philosophy is evident in every detail, from furniture choices to spatial arrangements. Indoors, pieces by Tacchini, Miniforms, and Santa & Cole establish a refined tone, while the outdoor areas feature Dedon, Ethimo, and Ligne Roset, striking a balance between function and aesthetics. In the dining area, a silver travertine-clad wall and a custom table in the same stone add a sculptural edge. Above, the Santa & Cole Lámina 165 light fixture casts a modern glow, complemented by &tradition Betty chairs. SPACES SHAPED BY LIGHT One of the key design moves was removing partitions that blocked natural daylight, allowing surfaces in pure white to invite light with understated elegance. In the double-height main living area, a work by Ercan Akın interacts with shifting daylight, while the setting is enriched by a Tacchini Five to Nine bench, Tom Dixon Press Large Surfacelights, and bespoke coffee tables—together shaping a refined corner for everyday pause. A TIMELESS TAKE Kaplankaya E House ultimately emerges as a timeless interpretation of interior design—where materials, light, and functionality converge in harmony, aligning with the rhythms of daily life and celebrating the quiet sophistication of simplicity. TR BELOW KAPLANKAYA E EVİ Bodrum, Kaplankaya'da Habif Mimarlık imzasıyla yeniden yorumlanan bu müstakil yazlık ev, doğayla uyumlu mimarisi ve dingin iç mekân tasarımıyla sakin, dengeli bir yaşam alanı sunuyor. 320 m² kapalı alan ve 1200 m²’lik peyzaj alanına yayılan Kaplankaya E Evi, Ege’nin kayalık kıyılarıyla bütünleşen yapısal kurgusunu korurken; geniş terasları, cam cepheleri ve iç mekân akışıyla güncellenmiş bir yaşam deneyimi öneriyor. Dört kişilik bir aile için tasarlanan ev, yatayda genişleyen planı ve farklı kotlarda çözümlenen üç ana katıyla, doğal ışığın gün boyu mekân içinde iz bıraktığı bir ritim kuruyor. SADELİKTEN DOĞAN ZARAFET Habif Mimarlık ekibi, projeyi “sadelikten doğan zarafeti temsil eden bir yaşam alanı” olarak tanımlıyor. Bu yaklaşım, mobilya seçimlerinden mekânsal düzenlemelere kadar tüm tasarıma yansımış. İç mekanda Tacchini, Miniforms ve Santa Cole, dış mekânda ise Dedon, Ethimo ve Ligne Roset imzalı parçalarla fonksiyonellik ve estetik arasında dengeli bir birliktelik kurulmuş. Yemek alanında silver traverten kaplama duvar ve aynı malzemeden tasarlanan masa, mekâna heykelsi bir duruş kazandırıyor. Masa üzerinde Santa & Cole Lámina 165 aydınlatma, çevresinde &tradition Betty sandalyelerle modern çizgi sürdürülüyor. Projenin çıkış noktalarından biri, gün ışığının önünü kesen bölücülerden arınmak. Böylece beyazın sadeliğiyle ışığı içeri davet eden yüzeyler, zarif bir açıklık yaratıyor. Yüksek tavanlı ana yaşam alanında, Ercan Akın’ın sanat eseri ışıkla etkileşim içinde öne çıkarken; Tacchini Five to Nine bench, Tom Dixon Press Large Surface aydınlatmalar ve özel tasarım sehpalar mekâna rafine bir karakter kazandırıyor. Özetle Kaplankaya E Evi; malzeme, ışık ve işlevselliği buluşturan yaklaşımıyla günlük hayatın ritmine uyumlanan, zamansız bir iç mekan yorumu olarak öne çıkıyor.

November 2022 | Design & Interiors for english 77 günde yapılan The Hab Project Yazı Alp Tekin İ ki Mimar isimli Ankara merkezli mimarlık şirketinin kurucuları Süha Afacan ve Berkay Şeşen, The Hab Project isimli tamamen ekolojik bir yaşam alanı projesi tasarladı. Ortalama 80 günde sahiplerine teslim edilen The Hab yapılarının içinde beton, beton türevi, harç ve sıva yok. Çelik taşıyıcı ya da plastik parçalar da… Yapısal tüm elemanlar ahşap. Endüstriyel ahşap konusunda dünyanın en iyilerinden biri olan Finlandiya ile anlaşma yapılarak sürdürülebilir ormanlardan üretilen ahşaplar temin edilmiş. Ayrıca The Hab Project yapıları yerden yaklaşık 60 santimetre yukarda inşa ediliyor. Binanın toprağa değmemesi “Radon Free” olmasını da sağlıyor. The Hab Project’in ilk örneği ise Ankara Çankaya’da bulunan The ofis binası. Binanın temeli üç günde atılmış. Yapının kullanılabilir hale gelmesi ise sadece 77 gün sürmüş. The Hab Project, made in 77 days Writer Alp Tekin S üha Afacan and Berkay Şeşen, the founders of an Ankara-based architectural firm called İki Architects, designed a completely ecological living space project called The Had Project. The Hab structures, which are delivered to their owners in an average of 80 days, do not contain concrete, concrete derivatives, mortar and plaster. Steel carrier or plastic parts too. All structural elements are wooden. An agreement was made with Finland, one of the world's best in industrial wood, and wood produced from sustainable forests was provided. In addition, The Hab Project structures are built approximately 60 centimeters above the ground. The fact that the building does not touch the ground also ensures that it is “Radon Free”. The first example of The Hab Project is the office building in Ankara Çankaya. The foundation of the building was laid in three days. It took 77 days for the building to become usable. Çapa 1

Ugo Rondinone’s Terrone at GAM Milano examines Italian heritage, migration, and collective memory through contemporary art during Milan Art Week. May 2025 | Art & Culture UGO RONDINONE’s ’TERRONE’ a POETIC MEDITATION on IDENTITY words Bike Çetinel As Milan pulses with creativity during Art Week, one exhibition quietly yet powerfully rises above the noise: Ugo Rondinone. terrone at GAM – Galleria d’Arte Moderna di Milano. On view from April 1 to July 6, 2025, this marks the artist’s first institutional solo exhibition in the city — arriving at just the right moment to offer space for reflection, identity, and memory amid a fast-paced, image-saturated art scene. Curated by Caroline Corbetta, terrone is more than a retrospective — it’s a deeply personal, intimate, and timely exploration of Ugo Rondinone’s Italian heritage and the universal experiences of displacement and migration. Born in Switzerland to Italian parents from Matera, and based in New York since the late 1990s, Rondinone boldly reclaims terrone — a historically charged, often derogatory term for southern Italians — and transforms it into a symbol of belonging, resilience, and memory. The exhibition unfolds across the evocative spaces of GAM Milano, a museum renowned for its 19th- and early 20th-century Italian art collection. This rich historical context becomes an essential voice in the dialogue Rondinone constructs. At its emotional core is Giuseppe Pellizza da Volpedo’s masterpiece The Fourth Estate, a monumental painting that symbolizes the dignity of labor and the march of the working class. In a city like Milan — long a magnet for internal migration and social transformation — Rondinone responds to this iconic image with works that echo the stories of countless Italian migrants, including that of his own family. Through sculptures, installations, and text-based pieces, terrone extends the themes of The Fourth Estate, adding personal, poetic, and even spiritual layers to the ongoing conversation around identity, migration, and collective memory. What makes this exhibition particularly resonant is the bridge it builds between Rondinone’s contemporary practice and GAM’s classical collection. This is not a contrast for contrast’s sake, but an emotionally charged dialogue in which past and present coexist, confront, and enrich one another. It recalls curatorial approaches seen in European institutions like Vienna’s Belvedere or Paris’s Petit Palais, where contemporary art is meaningfully placed within historic settings. Yet here, the dialogue takes on a distinctly Milanese tone, shaped by the city’s layered identity as both a keeper of tradition and a stage for evolving cultural narratives. Beyond its visual and historical impact, terrone serves as a poetic meditation on origins and futures, individual stories and shared identities. Amid the whirlwind of Milan Art Week — a carousel of openings, panels, and performances — this exhibition feels like a whispered confession, a quiet yet urgent reminder of where we come from and where we might be heading. It’s one of those shows that stays with you — lingering in the mind, haunting your thoughts long after you’ve stepped back into Milan’s crowded streets and neon-lit nights. Terrone doesn’t just participate in Milan Art Week; it transforms it into something more grounded, thoughtful, and emotionally resonant. For those seeking more than spectacle, Ugo Rondinone. terrone at GAM Milano offers a rare kind of honesty — rooted in memory, identity, and the quiet, enduring strength of those who came before us.

S House in Selimiye, Marmaris, pairs modern-bohemian interiors by Studio86 Interiors' Betül, Furkan Çöloğlu and Başak Doyum in a home on the Turkish coast. June 2024 | Design & Interiors english below SELİMİYE’DEKİ SAKİN KENTLİ words Alp Tekin T ürkiye’nin güneyindeki Marmaris’in Selimiye tarafı her haliyle başkadır. Çünkü sakinliğin, huzurun gerçek bir özeti gibidir. Bir de bu sakin resmi Selimiye’nin arkasındaki Bozburun ve Söğüt’le tamamladığınızı düşünün! Hatta gün batımına karşı şarabınızı yudumladığınızı… Kısaca 'S House' olarak adlandırılmış, Studio86 Interiors tasarımı ev projesi de tasvir ettiğimiz bu resmin tam da ortasında duruyor! Üç kattan oluşan S House’un tasarımı hayli ters köşe. Çünkü kentli bir havası var. Betül - Furkan Çöloğlu ve Başak Doyum ortaklığından oluşan Studio86 Interiors ekibi bu farklı tasarım yaklaşımının nedenini şöyle özetliyor: “Selimiye’nin sakin ve doğal manzarasına modern-bohem bir tasarım yaklaşımı getirerek yarattığımız zıtlık, kentin özgün karakterini yansıtma isteğimizin bir sonucuydu. Bohem estetiğin özgürlükçü ruhu ve yaratıcı ifadesi, Selimiye’nin geleneksel sahil şehri kimliğiyle kontrast oluşturarak, mekanın etkileyici yönünü daha çok vurguladı. Bu zıtlık, şehrin kimliğini ön plana çıkarırken, aynı zamanda yenilikçi bir perspektif sunuyor”. TÜM ÜRÜNLER DEKORATİF OBJE NİTELİĞİNDE Evin renk paletinde ahşabın doğal sıcaklığı ve beyazın tonları öne çıkıyor. Mobilya ve tekstil seçimlerindeki açık tonlar ise ahşabın dokusunu tamamlayarak iç mekanın estetik bütünlüğünü şekillendiriyor. Aydınlatma tasarımında tercih edilen tüm ürünler dekoratif birer obje niteliğinde. Mobilya ve dekoratif unsurların sunduğu doğrudan ve dolaylı aydınlatma çözümleri ise mekanın karakteristik özelliklerini destekleyen bir aydınlatma senaryosuna sahip. PEACEFUL CITIZEN IN SELIMIYE S elimiye side of Marmaris in the south of Turkiye is different in every way. Because it is like a true epitome of calmness and peace. Imagine completing this peaceful image with Bozburun and Söğüt behind Selimiye! Even sipping your wine against the sunset... The house project designed by Studio86 Interiors, called ‘S House’ for short, stands right in the centre of this image! The design of the three-storey S House is quite the opposite. Because it has an urban atmosphere. Studio86 Interiors team of Betül - Furkan Çöloğlu and Başak Doyum summarises the reason for this different design approach as follows: “The contrast we created by bringing a modern bohemian design approach to the peaceful and natural landscape of Selimiye was a result of our desire to reflect the unique character of the city. The libertarian spirit and creative expression of bohemian aesthetics contrasted with Selimiye's traditional coastal city identity, emphasising the impressive aspect of the place. This contrast emphasizes the identity of the city while offering an innovative perspective”. ALL PRODUCTS ARE CHARACTERISED AS DECORATIVE OBJECTS The natural warmth of the wood and white tones stand out in the home's color palette. The light tones in the furniture and textile choices complement the texture of the wood and shape the aesthetic integrity of the interior. All products preferred in lighting design are characterised as decorative objects. Direct and indirect lighting solutions offered by furniture and decorative elements have a lighting scheme that supports the characteristic features of the space.

Cuixmala in Jalisco, Mexico, is Sir James Goldsmith's former estate, transformed by Alix Marcaccini into a hotel with villas, casitas and a nature reserve. September 2, 2026 | Travel a PRIVATE WORLD on the PACIFIC words Noah Mercer photos Davis Gerber Forget the usual idea of a “dream hotel”. Cuixmala operates on an entirely different scale. Set along five kilometres of Mexico’s Pacific coastline, the estate extends across an immense landscape, with a 30,000-acre nature reserve that is home to approximately 12,000 plant species and a remarkable variety of wildlife — including its now-famous zebras. Across the property, Cuixmala unfolds as a collection of distinct places to stay. Casa Cuixmala brings together suites and bungalows, while the Casas comprise three private villas — Casa Alborada, Casa La Playa and Casa Torre. The Casitas reinterpret the traditional Mexican house in a more contemporary language, with ten residences overlooking the ocean and accommodating different numbers of guests. THE STORY BEHIND THE ARCHITECTURE Cuixmala’s unusual mix of Mexican, European and Moroccan influences has much to do with its origins. The estate was once the private home of British-French billionaire and politician Sir James Goldsmith, who died in 1997. A few years later, it was transformed into a hotel by his daughter Alix Marcaccini, although members of the Goldsmith family still maintain private homes on the property. Goldsmith led an unconventional life. Married three times and the father of eight children, he also had a number of long-term relationships. Marcaccini has described family as deeply important to her father despite the atypical structure of his life. Her mother, Lady Annabel Goldsmith, is also closely associated with another well-known institution: London members’ club Annabel’s was named after her. THE ZEBRAS OF CUIXMALA During the years when Goldsmith used Cuixmala as a private estate, its guest list included presidents, prime ministers, business figures and cultural personalities. Ronald Reagan, Henry Kissinger and Richard Nixon were among those who visited. One guest, however, remains unidentified: the person said to have given Goldsmith a pair of African zebras. Their descendants still roam the estate today, with the herd having grown to around 40. CONSERVATION FROM THE BEGINNING Environmental conservation was part of Goldsmith’s vision for Cuixmala long before sustainability became a standard part of the hospitality conversation. The surrounding landscape remains central to the experience of the estate. Zebras and other introduced species live alongside the region’s native wildlife, including jaguars and pumas, within a vast protected environment where nature is given as much space as possible. WHERE IS CUIXMALA? Cuixmala is located on Costa Alegre in the Mexican state of Jalisco, between Puerto Vallarta and Manzanillo. Puerto Vallarta is around three hours away by car, while Manzanillo can be reached in approximately 75 minutes. The estate feels deliberately remote, but a drive of around half an hour along the coast leads to Careyes, the colourful resort community known for its restaurants, clubs and distinctive architecture.

Milo Apartment in Colmar transforms a 112-year-old building into a modern loft by OZA Design, founded by Özge Öztürk and Alexandre Simeray. August 21, 2025 | DESIGN & INTERIORS MODERN LOFT SHAPED by EIFFEL and the STATUE of LIBERTY words Alp Tekin photos Edvinas Bruzas We’re in Colmar, the picturesque French town known for its iconic colorful timber-framed houses, narrow streets, and lively balconies. But that’s not all. Colmar is also known as the home of artists such as Frédéric Auguste Bartholdi, who, in collaboration with Gustave Eiffel (the French engineer behind the Eiffel Tower), designed the famous Statue of Liberty. And here, in a home that seems to contrast with the romantic atmosphere of the town yet pays homage to its craftsmanship heritage, we find ourselves in the Milo Apartment project—reminiscent of New York lofts. The apartment's transformation, designed by London-based OZA Design, founded by Özge Öztürk and Alexandre Simeray, tells a striking “before-and-after” story. “The shock we felt when we first saw the apartment became the starting point of the design process,” Özge and Alexandre share. “What we encountered was a 112-year-old historic building that had been converted into an office. At first glance, it was a space that had lost its soul: carpet tiles, PVC ceiling panels, and fragmented partitions. My initial reaction was, ‘This is a lost cause.’ But this challenge only motivated us further! When my partner Alexandre visited the space, he called me and said, ‘You won’t believe it, but this project has incredible potential.’ That was the moment when the design’s story started to form in our minds. Our respect for the building’s history, original texture, and spirit became the inspiration for giving it a modern identity. We focused on preserving the historic traces in every detail while creating a timeless aesthetic. What initially seemed like a distant dream eventually turned into an exciting design journey.” ELEGANCE IN RIGIDITY Özge and Alexandre reveal that the primary inspiration for the design process was Colmar itself: “The design process began with the rich historical fabric of Colmar. Gustave Eiffel and Frédéric Auguste Bartholdi, with the powerful stories they contributed to this region’s heritage, were our sources of inspiration. The ironwork in the apartment was chosen to blend Eiffel’s engineering marvels with Bartholdi’s artistic elegance. We aimed to create a language where these two distinct geniuses intersected: an elegance within rigidity, an aesthetic within functionality! While walking through the streets of Colmar, we were drawn to the iron forms and architectural details of the buildings, which became fundamental elements guiding the design.” Özge and Alexandre emphasize that Colmar’s artisans were at the heart of the project: “We saw every piece not just as an object but as an artwork that nourished the soul of the space. By collaborating directly with local blacksmiths, carpenters, and ceramic artists, we infused the region’s character into the design. Each artisan contributed their unique touch, adding a distinctive story to the space. The lighting, for instance, was designed to mimic the warm yet sophisticated atmosphere of Colmar’s evening light. This approach deepened the meaning of the design and allowed us to establish an organic connection between the space and its surroundings.” TIMELESS MODERNITY The OZA Design duo describes the apartment’s design as timeless modernity: “Industrial modern chic might define one aspect of the design, but we aimed to give the project a multi-layered identity. We created a dialogue between minimalist lines, crafted iron details, and natural textures. By blending Colmar’s nostalgic spirit with contemporary design elements, we forged a language that honors the past while focusing on the future.” HIGHLIGHTS - Hidden storage solutions throughout the apartment maintain a clean and organized look. Above the guest suite, an 80-square-meter storage area is concealed behind mirrors that add light and depth to the space. - The reading lamps in the guest room were inspired by the Orient Express. - Black-stained wood contrasts with white plaster wall finishes, directly referencing the town’s coal industry heritage. - OZA Design collaborated with local art gallery Murmure to curate artwork that complements the project. The dining area features a sculpture by Yann Baco, while Franziskus Wendels’ paintings in the main bedroom are standout examples of this partnership. for more Print VOL XV - 2025 Out of Stock Add to Cart

Fran Aniorte’s Mediterranean Journey at Galerie SCENE OUVERTE in Paris unites art, design, and craft in a dreamlike exhibition through May 17, 2025. April 2025 | Art & Culture a MEDITERRANEAN JOURNEY by FRAN ANIORTE At Galerie SCENE OUVERTE (Paris), immerse yourself in the magical realism of Fran Aniorte, a Spanish artist and designer whose creative journey traverses the vibrant landscapes of Barcelona and Istanbul. Running from March 28 to May 17, 2025, this exhibition unveils a universe where art, design, and craft seamlessly converge. Fran Aniorte’s work defies conventional boundaries. His diverse creations—ranging from art objects and immersive installations to innovative homeware designs—invite viewers into a realm where the extraordinary resides within the everyday. In his own words, "The real luxury is the experiences we live: the human contact, the connection with nature, the rediscovery of silence and all that is becoming rare like craftsmanship and authenticity." This ethos permeates every piece, echoing a profound appreciation for genuine, lived moments. Inspired by the enchantment of a Mediterranean summer night, the collection evokes a poetic atmosphere, transforming nature into an enchanted realm. Each artwork radiates a timeless aura of mystery, beckoning audiences to embark on a sensory journey—a journey where light, shadow, and emotion coalesce into an experience that is both elegant and joyful. As Aniorte describes, “This collection invites a sensory journey inspired by a poetic vision of The Mediterranean. Timeless, elegant and joyful, a dreamlike universe to uplift the soul.” Here, light and mystery serve as metaphors for the extraordinary hidden within the folds of our everyday lives, crafting an ode to both the seen and unseen, the crafted and the natural. * Galerie SCENE OUVERTE, 13 rue Bonaparte, Paris

Benjamin Hubert marks LAYER's 10th anniversary with the 101010 exhibition, presenting six social design prototypes at Milan Design Week 2025. April 2025 | DESIGN & INTERIORS LAYER's 10 th ANNIVERSARY: 101010 words Laura Cottrell British design entrepreneur and LAYER founder Benjamin Hubert is set to celebrate a decade of transformative design with an upcoming exhibition during Milan Design Week 2025. Titled 101010, the exhibition will be hosted at the renowned 10 Corso Como’s Project Room from 7th to 13th April 2025, serving as both a retrospective of LAYER’s dynamic past and a visionary statement for the future of design. A DECADE OF DESIGN EXCELLENCE Over the past ten years, LAYER has carved a niche in the design world through an inventive blend of art, technology, and craftsmanship. Under Hubert’s inspired leadership, the studio has collaborated with marquee names such as Bang & Olufsen, Nike, Moroso, and Vitra. A curated retrospective at the exhibition revisits these landmark projects, enriched further by the display of LAYER’s 2022 monograph—published by Phaidon and thoughtfully crafted by design curator Max Fraser—which eloquently captures the studio’s evolution and creative philosophy. THE 101010 COLLECTION: A Glimpse into Tomorrow Equally compelling is the unveiling of the new 101010 collection, an assemblage of six innovative social design prototypes. Each piece, developed in collaboration with distinguished creative partners from LAYER’s storied history, offers a forward-thinking response to global challenges while remaining rooted in sustainable, craft-driven design. The collection features: - KEEP: A family of fermentation tools created with Orrefors, celebrating the art of food preservation. - HOST: A modular bee home, designed in partnership with Andreu World, that champions urban biodiversity and sustainable beekeeping. - LIGHT: Algae-powered oil lamps, developed alongside Muuto, providing renewable off-grid illumination. - COLLECT: A portable rainwater harvesting system, conceived with MDF Italia and Kvadrat, that promises sustainable water storage. - COOL: Stackable ceramic cooling towers by Bitossi Ceramiche, reimagining passive cooling for urban environments. - SHIELD: A versatile “future uniform” created with fashion brand RÆBURN, designed to adapt seamlessly to diverse climates and extreme weather conditions. HUBERT’S VISION FOR THE FUTURE Reflecting on his journey, Benjamin Hubert shares, “It’s been 10 years since I founded LAYER – and it’s an honour to collaborate with some of our long-standing creative partners from the past decade to celebrate craft and explore how design can solve some of the most pressing issues facing humanity in the near future. With this exhibition, we are not just reflecting on a decade of transformative design; we are imagining how design can inspire and adapt to the challenges of an ever-evolving world. This exhibition is an invitation to rethink the role of design in our shared future.”

Studio OSKLO's Beverly Hills gallery brings together bespoke furniture, rare antiques, and museum-quality objects curated by Arya and Michael Martin. November 2024 | DESIGN & INTERIORS TURKISH BELOW TIMELESS PIECES at OSKLO's NEW GALLERY words Karine Monie photos Alyssa Quigley Step into the distinctive showroom of Arya and Michael Martin, the creative minds behind Studio OSKLO, known for designing private homes in Beverly Hills and Hollywood Hills. Inspired by Paris, their showroom seamlessly blends bespoke furniture creations with extraordinary antiques, vintage finds, and museum-quality objects. “In Paris, we often lose ourselves for endless afternoons on the Left Bank, exploring the small antique salons along Quai Voltaire and Rue de Lille. These spaces inspired Studio OSKLO, where carefully curated antique furniture and museum-quality décor are displayed in intimate salons filled with the scent of incense and age-old charm. Our approach is high-price, low-volume—a deliberate choice to offer something distinctive in today’s furniture market. We hope this curated experience will resonate with designers who share a true passion for furniture,” say Arya and Michael. DESIGNED TO UNVEIL EXTRAORDINARY ANTIQUES AND CUSTOM PIECES “These pieces are collected as a labor of love for the world’s most beautiful decorative arts, sourced from our personal travels, private collectors, and international auctions,” explain Arya and Michael, co-founders of the new gallery, Studio OSKLO. Studio OSKLO’s collection presents a carefully chosen array of fine furniture and accessories that can transform the atmosphere of any space, featuring rare and uniquely special objects. “A chair, a stool, a carved stone—individually, these items are functional but lack depth. Yet, when curated and perfectly arranged, they elevate an ordinary space into something extraordinary, revealing their inherent beauty and grandeur,” the duo explains. ZAMANSIZ PARÇALAR OSKLO’NUN GALERİSİNDE Beverly Hills ve Hollywood Hills'te özel evler tasarlayan Studio OSKLO'nun tasarım ikilisi Arya ve Michael Martin’in benzersiz showroom’uyla tanışın! Kendi özel mobilya kreasyonlarıyla sıra dışı antika mobilyaları, vintage ve müze kalitesindeki objeleri harmanlayan showroomlarında Arya ve Martin’in ilham kaynaklarından biri Paris. “Paris'te Quai Voltaire'in arkasındaki Sol Yaka’da ve Rue de Lille boyunca uzanan küçük antika salonlarında sık sık sonsuz öğleden sonraları kaybediyoruz. Bu küçük alanlar Studio OSKLO'muzun ilham kaynağı oldu. Tütsü ve vintage kokusuyla dolu salonlarda yer alan yüksek küratörlü antika mobilyalar ve müze kalitesinde objeler… Yüksek fiyatlı, düşük hacimli bir yaklaşıma odaklanıyor ve bugün mobilya endüstrisindeki yaygın eğilimlere farklı bir alternatif sunuyoruz. Küratörlü bir deneyimin mobilyaya gerçekten tutkulu yaklaşan benzer fikirli tasarımcıları çekeceğini umuyoruz”. OLAĞANÜSTÜ ANTİKA VE ÖZEL OBJELER Yeni galeri Studio OSKLO'nun kurucu ortakları Arya ve Michael, “Bu parçalar, kişisel seyahatlerimizden, özel koleksiyonerlerden ve uluslararası müzayedelerden dünyanın en güzel dekoratif sanatları için büyük emek harcanarak toplandı” diyor. Studio OSKLO'nun koleksiyonu, her mekanın atmosferini değiştirebilecek, özenle seçilmiş bir dizi kaliteli mobilya ve aksesuarı, nadir ve benzersiz derecede özel objeleri içeriyor. “Bir sandalye ya da bir tabure tek başlarına işlevseldir, ancak derinlikten yoksundur. Ancak, küratörlüğü yapıldığında ve mükemmel bir şekilde düzenlendiğinde, sıradan bir alanı olağanüstü bir şeye dönüştürerek içsel güzelliklerini ve ihtişamlarını ortaya çıkarırlar” diye açıklıyor ikili.

CI Bloom 2025 returns to Istanbul for its fourth edition with 26 galleries, four art initiatives, and an Artwide auction for emerging artists. April 2025 | Art & Culture TR BELOW SPRING MEETS ART in ISTANBUL: CI Bloom Known as the younger and more local version of Istanbul’s only modern art fair, Contemporary Istanbul, CI Bloom is returning for its fourth edition between April 16–20, at the Rumeli Hall of Lutfi Kırdar Convention and Exhibition Center. Highlighting emerging and rising artists each year, this year’s CI Bloom will host 26 galleries and four art initiatives. We asked Rabia Güreli our questions about CI Bloom. FOCUSING ON YOUNG AND DISTINCTIVE ARTISTS What defines the spirit and character of CI Bloom, and how does it differ from Contemporary Istanbul? CI Bloom has a young and dynamic spirit! It’s a fresh fair that energizes the contemporary art scene in Turkey and brings a new perspective internationally. While Contemporary Istanbul is a much larger platform, CI Bloom is more compact and focuses specifically on young and distinctive artists. Our goal with CI Bloom is to continue developing the fair at this level and connect with more emerging artists and initiatives each year. And with every edition, we continue to build on this. How has CI Bloom changed and evolved since its first edition? What is your vision for the near future? From day one, we’ve prioritized dynamism in CI Bloom. Every year, we make a point to welcome young and emerging artists, as well as global media and art professionals. Our aim is to create a more active and increasingly interactive fair year after year. We’re open to collaborations, which also allows us to make quick decisions. From its very first edition, CI Bloom has been structured to energize the art market and support non-profit organizations — and we continue with that same mission this year. A NEW MODEL THROUGH COLLABORATION WITH ARTWIDE One of the highlights of this year’s CI Bloom is the collaboration with online auction platform Artwide. What is the goal of this partnership? Our collaboration with Artwide is a significant one. Just like the other partnerships we’ve developed with various brands — they all contribute to the growth of the arts. Through these collaborations, art reaches wider audiences. And reaching more viewers means more interaction. This marks our first collaboration with the global online auction platform Artwide. In a special online auction, selected works by artists participating in CI Bloom — other than those exhibited at the fair — will be put up for sale. For us, this represents an innovative model. It’s aimed at increasing visibility, expanding sales opportunities, and connecting collectors from around the world with new artists. İSTANBUL’DA BAHAR CI BLOOM’LA KUTLANIYOR İstanbul’un tek modern sanat fuarı Contemporary Istanbul’un genç ve lokal versiyonu olarak bilinen CI Bloom, dördüncü edisyonuyla 16-20 Nisan 2025 tarihleri arasında Lütfi Kırdar Kongre ve Sergi Sarayı Rumeli Salonu’na geri dönüyor. Her yıl genç ve yükselen sanatçıları öne çıkaran CI BLOOM’a bu yıl 26 galeri ile dört sanat inisiyatifi katılıyor. CI Bloom’la ilgili sorularımızı Rabia Güreli yanıtladı. GENÇ VE FARKLI SANATÇILARA ODAKLANIYORUZ CI Bloom’un ruhu, karakteri ve Contemporary Istanbul’dan ayrılan yanları neler? CI Bloom’un genç ve dinamik bir ruhu var! Türkiye’deki çağdaş sanat sahnesine hareket kazandıran ve uluslararası alanda yeni bir soluk getiren genç bir fuar. Contemporary İstanbul çok daha büyük bir yapı, CI Bloom ise daha küçük. Ayrıca genç ve farklı sanatçılara odaklanıyor. CI Bloom için hedefimiz, fuarı aynı seviyede tutarak geliştirmek ve daha fazla sayıda genç sanatçı ve inisiyatifle bir araya gelmek. Her edisyonda bunu geliştiriyoruz. İlk günden bugüne CI Bloom nasıl değişti? Yakın gelecek vizyonunuz nedir? CI Bloom’da ilk günden itibaren dinamizme önem verdik. Her yıl genç ve yükselen sanatçıları, global medya ve sanat profesyonellerini ağırlamaya dikkat ettik. Amacımız her yıl daha aktif ve etkileşimi artan bir fuar olmak. İş birliklerine açık ve bunun sayesinde hızlı kararlar alabildiğimiz bir fuar. İlk edisyonundan itibaren sanat piyasasına enerji vermek ve kâr amacı gütmeyen kuruluşları desteklemek için yapılanan fuar, bu yıl da aynı amaçla ilerledi. ARTWIDE İLE İŞBİRLİĞİ YENİLİKÇİ BİR MODEL Bu yılki CI Bloom’un öne çıkan yanı online müzayede platformu Artwide ile yapılan iş birliği. Bu iş birliğiyle amaçlanan nedir? Artwide ile yaptığımız iş birliği bizim için çok önemli. Aynı şekilde markalarla yaptığımız farklı iş birlikleri de öyle… Çünkü iş birlikleri sayesinde sanat daha çok kişiye ulaşıyor. Daha çok izleyiciye ulaşmak daha fazla etkileşim demek… Global online müzayede platformu Artwide ile ilk kez gerçekleştirdiğimiz bu iş birliğinde CI Bloom’da yer alan sanatçıların fuarda sergiledikleri işler dışındaki seçili eserleri özel bir çevrimiçi müzayedede satışa sunulacak. Bu bizim için yenilikçi bir model. Görünürlüğü artırmayı, satış olanaklarını çoğaltmayı ve dünya genelinden koleksiyonerleri yeni sanatçılarla buluşturmayı hedefliyor.

The 18th Istanbul Biennial, titled The Three-Legged Cat, brings over 40 artists to eight venues across Beyoğlu and Karaköy in 2025. September 3, 2025 | Art & Culture TR BELOW the THREE-LEGGED CAT: 18th ISTANBUL BIENNIAL The Istanbul Biennial, one of the city’s most anticipated cultural events, returns this fall with a route that turns Istanbul itself into an exhibition. Running from September 20 to November 23, 2025, the 18th edition—organized by İKSV with the support of Koç Holding—comes under the intriguing title The Three-Legged Cat. The Istanbul Biennial, one of the city’s most anticipated cultural events, returns this fall with a route that turns Istanbul itself into an exhibition. Running from September 20 to November 23, 2025, the 18th edition—organized by İKSV with the support of Koç Holding—comes under the intriguing title The Three-Legged Cat. Curated by Christine Tohmé, this biennial unfolds over three years. Its first chapter brings together works by more than 40 artists across eight venues within walking distance along the Beyoğlu–Karaköy axis. Staying true to its nomadic spirit, the Istanbul Biennial once again reimagines the relationship between art and the city, weaving Istanbul’s streets, buildings, and public spaces into its very fabric. WALKING THE CITY The route offers a fluid experience, allowing visitors to move easily on foot and encounter art in the rhythm of the city. Among the venues is the Greek Primary School of Galata, restored between 2019 and 2024, and now reopening as a biennial space. In Karaköy, the newly revived Zihni Han makes its public debut, while a ground-floor gallery at No. 35 Meclis-i Mebusan Avenue reemerges as a cultural stop, having once been part of the 3rd Istanbul Design Biennial. Nearby, the early 20th-century Muradiye Han joins the route after its recent restoration, alongside Gallery 77 just across the street. The historic Cone Factory, once producing sweets and ice cream cones, also transforms into a biennial venue. Between Karaköy and Beyoğlu, the Garden of the Former French Orphanage offers visitors both a place to pause and an exhibition site, while on İstiklal Avenue, the iconic Elhamra Han—built in 1827 as one of Istanbul’s first theaters—hosts the biennial for the very first time. (Explore all venues on the map: link ) A THREE-YEAR JOURNEY Tohmé envisions the biennial as a process unfolding across three stages: 2025: Over 40 artists’ works presented through exhibitions, performances, screenings, and talks. 2026: The creation of a permanent art academy and a public program in collaboration with local initiatives. 2027: A final chapter bringing together the works and experiences of the previous two years in an exhibition and workshop series. ÜÇ AYAKLI KEDİ: 18. İSTANBUL BİENALİ 20 Eylül – 23 Kasım 2025 tarihleri arasında gerçekleşecek 18. İstanbul Bienali, şehri bir kez daha yaşayan bir sergi rotasına dönüştürmeye hazırlanıyor. İstanbul Kültür Sanat Vakfı (İKSV) tarafından, 2007–2036 Bienal Sponsoru Koç Holding’in desteğiyle düzenlenen bienal, bu yıl “Üç Ayaklı Kedi” başlığıyla izleyiciyi karşılıyor. 20 Eylül – 23 Kasım 2025 tarihleri arasında gerçekleşecek 18. İstanbul Bienali, şehri bir kez daha yaşayan bir sergi rotasına dönüştürmeye hazırlanıyor. İstanbul Kültür Sanat Vakfı (İKSV) tarafından, 2007–2036 Bienal Sponsoru Koç Holding’in desteğiyle düzenlenen bienal, bu yıl “Üç Ayaklı Kedi” başlığıyla izleyiciyi karşılıyor. Küratörlüğünü Christine Tohmé’nin üstlendiği ve üç yıla yayılacak bu edisyon, ilk ayağında Beyoğlu–Karaköy hattında birbirine yürüyüş mesafesinde yer alan sekiz farklı mekânda 40’tan fazla sanatçının üretimini bir araya getiriyor. Bienal, her zamanki gibi sabit bir sergi mekânına bağlı kalmıyor; şehri, sokakları, tarihi yapıları sergi dokusunun bir parçası haline getiriyor. ŞEHİRLE İÇ İÇE ROTA Rotanın önemli duraklarından biri, Galata Rum Okulu. 1885’te inşa edilen, 1910–1988 yılları arasında eğitim kurumu olarak kullanılan yapı, 2012’den bu yana bir kültür-sanat mekânı olarak yeniden işlev kazanmıştı. 2019–2024 arasında kapsamlı bir restorasyondan geçen bina, bu yıl tekrar bienal mekânları arasına katılıyor. Karaköy’de ilk kez izleyiciye kapılarını açacak Zihni Han, şehrin ticaret ve zanaat tarihinden bugüne taşınan bir yapı olarak öne çıkıyor. Hemen yakınında bulunan, Meclis-i Mebusan Caddesi’ndeki bir bina da (no. 35) zemin katındaki galeriyle bienal mekânına dönüşüyor. Karaköy’ün tarihî dokusundaki bir diğer yapı ise Muradiye Han. 20. yüzyıl başlarından günümüze ulaşan hanın zemin katı, 2021’de tamamlanan restorasyonun ardından ilk kez bienale ev sahipliği yapacak. Tam karşısında yer alan Galeri 77 de bu yıl rotada yer alıyor. Yine bölgede bulunan ve bir dönem şekerleme ile dondurma külahı üretimi yapılan Külah Fabrikası, geçmişten bugüne uzanan hikâyesiyle bienal mekânları arasında dikkat çekiyor. Rotanın Beyoğlu yönünde, Eski Fransız Yetimhanesi Bahçesi, Boğazkesen Caddesi üzerinde ziyaretçilerin soluklanacağı bir durak olacak. Bienalin İstiklal Caddesi’ndeki durağı ise, Osmanlı ve Avrupa mimari unsurlarını harmanlayan eklektik cephesiyle Elhamra Han. 1827’de İstanbul’un ilk tiyatro salonlarından biri olarak inşa edilen yapı, bugün altı katlı bir han olarak şehrin belleğinde yaşıyor. Bu yıl bienale ilk kez ev sahipliği yapacak olan Elhamra Han’ın ikinci katındaki iki daire, sanatçıların üretimlerine açılıyor. (Bienal mekânlarını haritada görüntülemek için: link ) ÜÇ YILA YAYILAN BİENAL Christine Tohmé, bienali üç ayağa yayılan bir yapı olarak kurguluyor. Kendi sözleriyle: “Üç ayağı üzerinde 2025’ten 2027’ye uzanan 18. İstanbul Bienali, bir kediyi andırıyor. Zaman içinde esneyerek ayaklarını yere basıyor; sohbetlerden, egzersizlerden ve aralıksız haber akışından beslenen bir ritmi benimsiyor.” 2025 (ilk ayak): 40’tan fazla sanatçının işleri, sergiler, performanslar, gösterimler ve konuşmalar. 2026 (ikinci ayak): Kalıcı bir sanat akademisi kurulması ve yerel inisiyatiflerle işbirliği içinde geliştirilecek kamusal programlar. 2027 (üçüncü ayak): Bienalin iki yıl boyunca ürettiği deneyimlerin ve işlerin sergileneceği son sergi ve atölye programı.